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Main article: HippieSee also: History of subcultures in the 20th century and History of the United States (1964–1980)

The hippie subculture developed as a youth movement that began in the United States during the early 1960s and spread around the world. Its origins can be traced back to classical culture, and to European social movements in the early 20th century. From around 1967, its fundamental ethos — including harmony with nature, communal living, artistic experimentation particularly in music, and the widespread use of recreational drugs — spread around the world.

Precursors

In classical culture

The hippie movement has found historical precedents as far back as the Mazdakist movement in Persia, whose leader the Persian reformer Mazdak, advocated communal living, the sharing of resources, vegetarianism and free love. A 1967 article in Time Magazine asserted that the hippie movement has a historical precedent in the counterculture of the Ancient Greeks, espoused by philosophers like Diogenes of Sinope and the Cynics. The article also claimed that the Hippies were influenced by the ideas of Jesus Christ, Hillel the Elder, Buddha, St. Francis of Assisi, Henry David Thoreau, Gandhi, and others.

In 19th and early 20th century Europe

In fin de siècle Europe, from 1896–1908, a German youth movement known as Der Wandervogel began to grow as a countercultural reaction to the organized social and cultural clubs that centered around German folk music. In contrast to these formal clubs, Wandervogel emphasized amateur music and singing, creative dress, and communal outings involving hiking and camping. Inspired by the works of Friedrich Nietzsche, Goethe, Hermann Hesse, and Eduard Baltzer, Wandervogel attracted thousands of young Germans who rejected the rapid trend toward urbanization and yearned for the pagan, back-to-nature spiritual life of their ancestors.

During the first several decades of the twentieth century, these beliefs were introduced to the United States as Germans settled around the country, some opening the first health food stores. Many moved to Southern California where they could practice an alternative lifestyle in a warm climate. In turn, young Americans adopted the beliefs and practices of the new immigrants. One group, called the "Nature Boys", took to the California desert, raised organic food, and espoused a back-to-nature lifestyle. eden ahbez, a member of this group, wrote a hit song called Nature Boy , which was recorded in 1947 by Nat King Cole, popularizing the homegrown back-to-nature movement to mainstream America. Eventually, a few of these Nature Boys, including the famous Gypsy Boots, made their way to Northern California in 1967, just in time for the Summer of Love in San Francisco.

Beat generation

Main article: Beat generationSee also: San Francisco Renaissance

The Beat Generation gradually gave way to the Sixties counterculture, accompanied by a shift in terminology from "beatnik" to "hippie." Many of the original Beats remained active participants, notably Allen Ginsberg, who became a fixture of the anti-war movement. On the other hand, Jack Kerouac broke with Ginsberg and criticized the 1960s protest movements as an "excuse for spitefulness". Through a variety of popular media, including television shows such as The Many Loves of Dobie Gillis , the beat image became somewhat commercialized, and also a large influence on members of the new counterculture. Bob Dylan became close friends with Allen Ginsberg, and Ginsberg became close friends with Timothy Leary. Both Leary and Ginsberg were introduced to LSD by Michael Hollingshead in the early 1960s, and both became instrumental in popularizing psychedelic substances to the hippie movement.

In 1963, Ginsberg was living in San Francisco with Neal Cassady and Charles Plymell. Around that time, Ginsberg connected with Ken Kesey, who was participating in CIA sponsored LSD trials while a student at Stanford. Neal Cassady was the bus driver for Ken Kesey's Merry Pranksters, and he attempted to recruit Kerouac into their group, but Kerouac angrily rejected their invitation and accused them of attempting to destroy the American culture he celebrated.

According to Ed Sanders, the change in the public label from "beatnik" to "hippie" occurred after the 1967 Human Be-In in San Francisco's Golden Gate Park, where Allen Ginsberg, Gary Snyder, and Michael McClure led the crowd in chanting "Om". Ginsberg was also at the infamous 1968 Democratic National Convention, and was friends with Abbie Hoffman and other members of the Chicago Seven. Stylistic differences between beatniks, marked by somber colors, dark shades and goatees, gave way to colorful psychedelic clothing and long hair worn by hippies. While the beats were known for "playing it cool" and keeping a low profile, hippies became known for "being cool", and displaying their individuality. Although the beats tended to be essentially apolitical, hippies became active in the civil rights and anti-war movements..

One early book hailed as evidencing the transition from "beatnik" to "hippie" culture, was Been Down So Long It Looks Like Up to Me by Richard Fariña, brother-in-law of Joan Baez. Written in 1963, it was finally published April 28, 1966—two days before its author was killed in a motorcycle crash.

1960–1966

Ken Kesey and the Merry Pranksters

Main article: Merry Pranksters

The Merry Pranksters were a group who originally formed around American novelist Ken Kesey, considered one of the most prominent figures in the psychedelic movement, and sometimes lived communally at his homes in California and Oregon. Notable members include Kesey's best friend Ken Babbs and Neal Cassady, Mountain Girl (born Carolyn Adams but best known as Mrs. Jerry Garcia), Wavy Gravy, Paul Krassner, Stewart Brand, Del Close, Paul Foster, George Walker, Sandy Lehmann-Haupt and others. Their early escapades were chronicled by Tom Wolfe in The Electric Kool-Aid Acid Test .

Ken Kesey and the Merry Pranksters are remembered chiefly for the sociological significance of a lengthy roadtrip they took in 1964, traveling across the United States in a psychedelically painted school bus enigmatically labeled "Further", and for the "Acid Tests". Kesey believed that psychedelics were best used as a tool for transforming society as a whole, and believed that if a sufficient percentage of the population had the psychedelic experience then revolutionary social and political changes would occur. Therefore, they made LSD available to anyone interested in partaking - most famously through the "electric kool-aid" made available at a series of "Acid Tests"; musical and multi-media events where participants were given "acid", the street name for LSD. The tests were held at various venues in California, and were sometimes advertised with colorful crayoned signs asking "Can you pass the acid test?" The first Acid Test was held in Palo Alto, California in November 1965. (LSD was legal in the United States until October 6, 1966.) The young psychedelic music band The Grateful Dead (known earlier as The Warlocks) supplied the music during these events.

Red Dog Experience

Main article: Red Dog Experience

The Red Dog Saloon was a bar and live music venue located in the isolated, old-time mining town of Virginia City, Nevada. In April 1963, Chandler A. Laughlin III established a kind of tribal, family identity among approximately fifty people who attended a traditional, all-night Native American peyote ceremony which combined a psychedelic experience with traditional Native American spiritual values. During the summer of 1965, Laughlin recruited much of the original talent that led to a unique amalgam of traditional folk music and the developing psychedelic rock scene. He and his cohorts created what became known as The Red Dog Experience, featuring previously unknown musical acts--Big Brother and the Holding Company, Jefferson Airplane, Quicksilver Messenger Service, The Charlatans, The Grateful Dead and others—. There was no clear delineation between "performers" and "audience" in "The Red Dog Experience," during which music, psychedelic experimentation, a unique sense of personal style and Bill Ham's first primitive light shows combined to create a new sense of community.

Anti-war protests

Main article: Opposition to the Vietnam War

Although there were many diverse groups and elements protesting the US military involvement in Vietnam as it began to escalate, many of the protesters, rightly or wrongly, came to be associated with aspects of the "hippie" movement in the popular view. A number of them had been highly active in the Civil Rights movement in the first half of the 1960s, travelling across the country to take part in sit-ins and marches against segregation in the South. The first draft card burnings took place May 5, 1965 at University of California, Berkeley (which had already seen a precedent to the subsequent social turmoil, in form of the Free Speech Movement), and a coffin was marched to the Berkeley draft board. As similar protests continued through the summer, President Lyndon Johnson responded by signing a new law on August 31, 1965 penalizing the burning of draft cards with up to 5 years in prison and a $1,000 fine, although such burnings went on regardless. In later years, the Viet Cong flag of the "enemy"

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